The Renaissance Vihuela & Guitar in Sixtenth-Century Spain (noty na kytaru)

1 173Kč

Dostupnost: Obvykle odesíláme do 5-10 pracovních dnů



Noty na kytaru.


Luis Milán


Fantasía 1
Fantasía 3
Fantasía 10
Fantasía 11
Fantasía 16
Pavanas 2, 4, 6
Durandarte

Luis de Narváez


Fantasía 14
Canción de Nicolas Gombert
Mille Regretz (Canción del Emperador)
Cuatro diferencias sobre Guárdame las vacas
Otras Tres diferencias sobre Guárdame las vacas
Baja de contrapunto
Ya se sienta el Rey Ramiro
Veintidós diferencias sobre Conde Claros

Alonso Mudarra


Fantasía 1
Pleni sunt de la Missa Faysan regretz de Josquin
Diferencias sobre Conde Claros
Pavana de Alexandre
Gallarda
Fantasía 10
Piezas del Tercero Tono
Triste

Dostupnost Obvykle odesíláme do 5-10 pracovních dnů
Jazyk Angličtina
Katalogové číslo MB21590
Aranžmá noty na kytaru
Náročnost 3 - Středně pokročilý (mírně zjednodušená aranžmá, stupeň 4-6)
Médium Hudebnina
Formát Kytarové album
Nakladatel Mel Bay Publications
Počet stran 188
ISBN 9780786678228
EAN kód 9780786678228
Původní popisek Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.