Miles Davis: Originals Vol 1 (noty, trubka s akordovými značkami)

616Kč

Dostupnost: Obvykle odesíláme do 5-10 pracovních dnů

Trubka s akordovými značkami.

Agitation (22-01-1965)
All Blues (22-04-1959)
Blue In Green (02-03-1959)
Circle (24-10-1966)
Flamenco Sketches (22-04-1959)
Freddie Freeloader (2-3-1959)
Green Haze (7-6-1955)
Half Nelson (14-8-1947)
Miles (4-2-1958)
Milestones (2-3-1959)
Sid's Ahead (4-3-1958)
So What (2-3-1959)
Solar (3-4-1954)
Theme (16-11-1955)
Tune Up (26-10-1956)

Dostupnost	Obvykle odesíláme do 5-10 pracovních dnů
Jazyk	Angličtina
Katalogové číslo	HL00672448
Aranžmá	noty na trubku
Náročnost	4 - Středně pokročilý/Pokročilý (přesný přepis většiny titulů, stupeň 6-8)
Médium	Hudebnina
Formát	Instrumentální dílo
Hudební žánr	jazz
Nakladatel	Hal Leonard
Počet stran	70

ISBN	9780634005022
Série	Artist Transcriptions
EAN kód	9780634005022
Původní popisek	The music featured in this folio, part of a continuing series of books covering the music of the legendary trumpet player/composer, consists of original Davis compositions from three different periods. Miles was signed to the Prestige label in the '50s, and many of the recordings he made for that label were recorded after Miles had already signed a contract with Columbia Records. There were a number of marathon sessions made to finish out the Prestige agreement. Most of the resulting recordings are regarded as classics today, and such tunes as 'Green Haze' and 'Tune Up' are favorites among jazz musicians young and old. Davis' Columbia recordings of 1958-59 are prized for the excellence of the material, the solos of Cannonball Adderley, John Coltrane, Wynton Kelly and Bill Evans, and the beauty of the recording quality. Kind of Blue included such gems as 'Blue in Green', 'So What' and 'Freddie Freeloader'. Not only is Kind of Blue one of the best-selling albums of all time, it kick-started the new jazz shich stressed modes and scales rather than chords. Miles led another legendary quartet in the early '60s with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams. 'Circle' and 'Agitation' became part of the group's active repertoire. The level of soling was consistently excellent, and the quartet's appearances at clubs and concert halls were usually sold out.