Edward Gregson: Tributes (Clarinet And Piano) (noty na klarinet, klavír)

Edward Gregson: Tributes (Clarinet And Piano) (noty na klarinet, klavír)

760Kč

Dostupnost: Obvykle odesíláme do 5-10 pracovních dnů

Noty na klarinet, klavír.

à Francis Poulenc
à Igor Stravinsky
à Olivier Messiaen
to Béla Bartók
to Gerald Finzi

Dostupnost	Obvykle odesíláme do 5-10 pracovních dnů
Jazyk	Angličtina
Katalogové číslo	MUSNOV091146
Aranžmá	Noty na klarinet, klavír
Kód aranžmá	CLT/PFA
Náročnost	3 - Středně pokročilý (mírně zjednodušená aranžmá, stupeň 4-6)
Médium	Hudebnina
Formát	Instrumentální dílo
Hudební žánr	Post-1900
Nakladatel	Novello and Co

Počet stran	12
ISBN	9781849383622
EAN kód	9781849383622
Autorství	Gregson, Edward (Composer)
Původní popisek	Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) – a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) – slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) – asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) – based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) – the most virtuoso of the set, after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok’s penchant for simple modal shapes and ostinati rhythms.